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Scottish Furniture Exhibition

To mark the publication of his new book, Scottish Vernacular Furniture (Thames and Hudson), which is due out in mid-September, Dr. Bernard "Bill" Cotton is curating an exhibition of Scottish furniture made for the homes of crofters and artisans.  This exhibition will take place at the premises of the auctioneers Lyon and Turnbull in Broughton Place, Edinburgh (tel. 0131 557 8844) from August 25th to September 24th 2008.

The exhibition will show pieces loaned by the National Trust for Scotland, the National Museums of Scotland, the Highland Folk Museum, and other private owners.  Details about the book can be found at www.bernardcotton.com

 

 

Oxford University Department of Continuing Education in association with The Vernacular Architecture Group

Vernacular Interiors in the British Tradition, 26 - 28 September 2008, Rewley House, Oxford.

Decoration, fixtures and furnishings are what bring the rooms within buildings to life.  They at once reveal something of their time - its taste and ways of life - and the individuality of the builders, owners and occupiers of houses. This weekend is centred around the interiors of vernacular houses between the end of the middle ages and the nineteenth century.  It will provide an introduction to interiors in the 'British tradition' on both sides of the Atlantic, and will draw on some of the latest scholarship in the field.

Programme details:

Friday 26 September 2008

Vernacular interiors and British domestic life
James Ayres

Saturday 27 September 2008

Construction and interiors
David Yeomans

Shifting relations between the English carpenters and joiners from the 16th to the 19th c
Hentie Louw

Secular wall-painting c 1570-1630
Kathryn Davies

Decorative plasterwork in 17th-century vernacular interiors
Claire Gapper

‘Pretty slight drollery’: the painted cloth in the English interior, 1500-1730
Nicholas Mander

Wallpaper in New England 1700-1850
Richard Nylander

Material culture in the 19th-century Irish farmhouse: What’s the use of art as evidence?
Claudia Kinmonth

Sunday 28 September 2008

Muniment rooms, buildings and furnishings
John Steane

Common or genteel? Relationships between vernacular and pattern book furniture in the eighteenth century
David Jones

New England house and home 1750-1850
Jane Nylander

For details and booking email ppdayweek@conted.ox.ac.uk

 

 

 

 

The Bristol Museum and Art Gallery
Queen's Rd. Bristol BS8 1RL


The Bristol Museum and Art Gallery are currently displaying 13 pieces designed by E.W. Godwin for the house he shared with Ellen Terry; Godwin’s daughter Edith Craig bequeathed all to the Museum in1949.  They include versions of the iconic sideboard and square coffee table, hanging bookcases, and 2 pieces of bedroom furniture - a wardrobe & washstand.  

These pieces have not been seen in public since the 1970s and the exhibition closes on 31st August 2008.

 

 

 

 

9th International Symposium on Wood and Furniture Conservation

'Vernacular Furniture'

14 and 15 November 2008 - at the Felix Meritis Centre, Amsterdam 

Friday 14 November:

'The decorative use of native timbers in the production of vernacular furniture in Scotland, Wales and England in the 18th and 19th centuries'.  Dr Bernard Cotton, furniture researcher, United Kingdom

A talk in which special reference will be given to the use of timbers whose grain pattern and colouration qualities due to oxidation were employed as decorative features of furniture

'Vernacular furniture patina'.  Herman den Otter, professor of furniture conservation, University of Amsterdam, Amsterdam, the Netherlands

An attempt at defining patina and how it is experienced by the observer. Can one say vernacular furniture is “a class of its own” in this respect?

'The conservation of Irish vernacular furniture'.  Dr. Claudia Kinmonth MA(RCA), furniture researcher, Ireland

This talk will dwell on how Irish country furniture has been used, repaired and mistreated over the years. Only quite recently this furniture came into its own as worth of conserving. Now to what extent should the conservator respect such a history of heavy use?

 

'Painted furniture from Hohenlohe-Franken, an area in the northeastern part of Baden-Württemberg, Germany'.  Karl-Heinz Wüstner, furniture researcher, Rößler-Museum Untermünkheim, Germany

How rewarding it can be to identify the original makers is illustrated by this introduction to the furniture from a remote and secluded area in Germany, and the work of Johann Michael Rößler (1791-1849) from Untermünkheim in particular.

 

'The dynamics of tradition: painted furniture from Staphorst 1800-2000'.  Jacco Hooikammer, Registrar, and Hans Piena, Curator, Dutch Open Air Museum Arnhem, Arnhem, the Netherlands

Focussing on the rural village of Staphorst the authors have unravelled continuity and change in the furniture of a community generally regarded as ultra-conservative. Or so it might seem…


'Two examples of Austrian vernacular pieces of furniture and the interesting discoveries that were made during their restoration'.   Mag. Peter Kopp, Professor Akademie der bildenden Künste, Dott. Sara Picchi, furniture conservator, Vienna, Austria

Austria’s rich heritage of vernacular furniture is well documented and widely published. Still, technical study and analysis of two wardrobes from known workshops in Lower and Upper Austria have recently shed new light on their makers and creation.

 

'Transylvanian German painted furniture from the 16th/17th century: The Henndorf chests. Examination, registration and preservation'.  Prof. Dr. Gerdi Maierbacher-Legl, Head of Department for Furniture Conservation, HAWK-FH Hildesheim, Germany

Very appropriately this unique collection of some 120 chests from a multi-ethnic Transylvanian society is being conserved today by students from Germany, Hungary and Romania. A report of an ongoing project.

 

'Historical and technological research and conservation possibilities of 18th century Transylvanian chests covered with leather and decorated with metal ornaments'.  Dr Petronella Kovács Mravik, Head of the Department of Conservation Training and Research, Hungarian National Museum Budapest, Hungary

Distinctly different from other European traditions, these Hungarian travelling chests have been the focus of a research and conservation project. The combination of the materials metal and leather provides the conservator with very specific problems.

 

'Revealing color: American colonial painted furniture'.  Christopher M. Swan, furniture conservator, Colonial Williamsburg, Williamsburg, USA

A much less known category than furniture from urban centres, furniture from the colonial outposts will be presented with special focus on their decorative finishes.

 

Saturday 15 November 

'Vernacular craft to machine assisted industry. The division of labour and the development of machine use in vernacular chair making in High Wycombe'.  Clive Edwards, furniture researcher, United Kingdom

From “bodgers” working in the woods to a factory based operation. This talk will explore the changes in vernacular chair-making, in particular of producing the well-known Windsor chair type.

'Vernacular furniture conservator: Traditional furniture in Ecuador'.  Julio Benítez Telles, furniture conservator, Quito, Ecuador / Valencia, Spain

Traditional furniture-making techniques that are kept alive by craftsmen and women can be essential for the conservation of Ecuadorian furniture. This talk will introduce the “Sociedad de Carpinteros y Anexos Unión y Trabajo” as a unique source of information on traditional furniture making and a keeper of cultural heritage.

'The Still Room at Temple Newsam House, Yorkshire, England: The reconstruction of a vernacular interior'.  Ian Fraser, Conservator (furniture; historic interiors; preventive) Leeds Museums and Galleries, Temple Newsam House, Leeds, United Kingdom

Since 1988 the building and interiors of Temple Newsam have been the focus for restoration and reconstruction. Not only the “polite” interiors received attention, but also a domestic interior, such as the Still Room for storage, preserves and food preparation, was meticulously restored


'Conservation of wooden church furnishings in the National Museum Copenhagen'.   Birgitte Larsen, furniture conservator, National Museum, Brede, Denmark

The truly national responsibilities of the National Museum’s workshops are presented by this report on the conservation of local church interiors from all over Denmark.


'The use of straw and willow in Irish country furniture'.  Joe Hogan, basket-maker, Ireland

The various techniques such as coiled straw, plaiting and twisted straw or grass traditionally used in rural Irish furniture will be discussed and their conservation options dealt with.

 

'Technical analysis of Scottish vernacular furniture from National Museums Scotland Collection'.   Sarah Gerrish ACR, Furniture& Wooden Artefacts Conservator, National Museums of Scotland, Edinburgh, United Kingdom

This detailed examination of rare pieces of Scottish vernacular furniture, many previously unseen and held in storage, will enable them to be shared with a wider audience.

 

'Iron nails - The good, the bad and the ugly'.  Dag Feldborg, furniture conservator, Norway

A Norwegian perspective on how to deal with nails: original, repair or otherwise. An all too common problem for furniture conservators.

'Vernacular furnishings early 19th century western Canadian settlement era'.  Rick Lair, furniture conservator, Canada

Drawing from an ongoing research project the speaker will introduce the furniture that resulted from a unique melding of Aboriginal and European settlers cultures.


'Defining vernacular in Colonial Jamaica'.  John Cross, professor/furniture researcher,  London, United Kingdom

Research has discovered numerous locally made items of furniture on the island. Much of these are attempts to produce fashionable imitations of metropolitan examples, while others have little reference to western taste. It is this latter category that will be the focus of this talk.

Stichting Ebenist is supported by Amsterdams Historisch Museum, Instituut Collectie Nederland and Rijksmuseum Amsterdam.

Stichting Ebenist, PO Box 15902, 1001 NK Amsterdam, The Netherlands or info@ebenist.org

Visit www.ebenist.org for more information on Stichting Ebenist, previous programs, publications etc.

 


 

 

© Regional Furniture Society -  2008